- वैश्य जातियों की सूची
- वैश्य शासक
- वैश्य कवि और साहित्यकार
- वैश्य उद्योगपति
- वैश्य शहीद एवं क्रांतिकारी
- वैश्य राजनेता
- वैश्य संत और महापुरुष
- वैश्य समाज से सम्बंधित वेब साईट
- वैश्यों के बारे में कुछ लेख
- वैश्य समाज के तीर्थ स्थान , देवता व कुलदेविया
- वैश्य संस्थान, महाविद्यालय, धर्मशालाए
- वैश्य गौरव
- वैश्य खिलाड़ी
- वैश्य इतिहास
- वैश्य गाथा
- वैश्य कलाकार
- वैश्य पत्रकार
- वैश्य पत्र एवं पत्रिकाए
- वैश्य समाचार
- वैश्य प्रशासनिक अधिकारी-मंत्री-सामंत-सेनापति
- प्रमुख वैश्य व्यक्तित्व
- वैश्य जातियों के गोत्र, कुलदेवी, देवता
Monday, September 22, 2014
ASHA PAREKH - आशा पारेख
Asha Parekh (born 2 October 1942) is a Bollywood actress, director, and producer. She was one of the top stars in Hindi films from 1959 to 1973. In 1992, she was honoured with the Padma Shri by the Government of India. Parekh is regarded as one of the most successful and influential Hindi movie actresses of all time.
Asha Parekh was born into a middle-class Gujarati Vaishya family on 2 October 1942 in Mumbai, to a father (who was from Paldi near Pirana, Ahmedabad .Parekh's religious upbringing involved worshipping Sai Baba. Her mother enrolled her in Indian classical dance classes at an early age and she learned from many teachers including Pandit Bansilal Bharati.
Parekh started her career as a child artist under the screen name Baby Asha Parekh in the film Aasmaan (1952). Famed film director Bimal Roy saw her dance at a stage function and cast her at the age of twelve in Baap Beti (1954). The film's failure disappointed her and even though she did a couple more child roles, she quit to resume her schooling. At sixteen she decided to try acting again and make her debut as a heroine, but she was rejected from Vijay Bhatt's Goonj Uthi Shehnai (1959) in favour of actress Ameeta, because the filmmaker claimed she was not star material. The very next day, film producer Subodh Mukherjee and writer-director Nasir Hussain cast her as the heroine in Dil Deke Dekho (1959) opposite Shammi Kapoor, which made her a huge star.
The film also led to a long and fruitful association with Hussain. He went on to cast Parekh as the heroine in six more of his films: Jab Pyar Kisi Se Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Teesri Manzil (1966), Baharon Ke Sapne (1967), Pyar Ka Mausam (1969), and Caravan (1971). She also did a cameo in his film Manzil Manzil (1984). Hussain also got her involved in distribution of films for 21 years, starting with Baharon Ke Sapne (1967). Parekh was primarily known as a glamour girl/excellent dancer/tomboy in most of her films, until director Raj Khosla gave her a serious image by casting her in tragedienne roles in three of her favourite films: Do Badan (1966), Chirag (1969), andMain Tulsi Tere Aangan Ki (1978). Director Shakti Samanta gave her more dramatic roles in her other favourite films, Pagla Kahin Ka (1970) and Kati Patang (1970); the latter earned her the Filmfare Best Actress Award. Many important directors cast her in several of their films, including Vijay Anand, Mohan Segal and J.P. Dutta.
Parekh acted in her mother tongue by starring in three Gujarati films at the height of her fame in Hindi films, the first being Akhand Saubhagyavati (1963), which became a huge hit. She also acted in some Punjabi films, such as Kankan De Ohle (1971) opposite Dharmendra and Lambhardarni (1976) with Dara Singh, as well as the hit Kannada film Sharavegada Saradara (1989).
After her days as a leading lady ended, Parekh took on supporting roles as bhabhi (sister-in-law) and mother, but she called this the "awkward phase" of her career. So she stopped acting in films, and her friends recommended that she become a television director. She took their advice and became a television director in the early 1990s with the Gujarati serial Jyoti. She formed a production company, Akruti, and produced serials like Palash ke Phool, Baaje Payal, Kora Kagaz and a comedy, Dal Mein Kaala. She was the president of the Cine Artistes' Association from 1994 to 2000. Parekh was the first female chairperson of the Central Board of Film Certification (Censor Board) of India. She held the post from 1998 to 2001 for which she received no salary but plenty of controversy for censoring films and for not giving clearance to Shekhar Kapur's Elizabeth. Later, she became the treasurer of the Cine and Television Artists Association (CINTAA) and was later elected to be one of its officebearers.
Parekh received the Filmfare Lifetime Achievement Award in 2002. She has continued to receive other Lifetime Achievement Awards: the Kalakar Award in 2004; theInternational Indian Film Academy Awards in 2006; the Pune International Film Festival Award in 2007; and the Ninth Annual Bollywood Award in Long Island, New York in 2007. She received the Living Legend Award from the Federation of Indian Chambers of Commerce and Industry (FICCI).
In 2008, she was a judge on the reality show Tyohaar Dhamaaka on the Indian entertainment channel 9X.
Parekh has remained unmarried, claiming that her reputation of being unapproachable made people hesitate in asking for her hand in marriage. There were rumours that she was romantically involved with her married director Nasir Hussain. In her later years, Parekh said that she had a longtime boyfriend but declined to elaborate on the relationship, only stating that "it was nice while it lasted." She said she had not seen Nasir Hussain during the last year of his life, as he became reclusive because of his wife's death, but she did speak to him the day before he died in 2002.
साभार : विकिपीडिया